Been trying to catch up on some business reading—writing
business. I let it haunt me, as the RWR, The Writer and Writer’s Digest stack up. One way I
catch up is by reading during the commercials of must-see TV.
Hey, I know no TV is must-see and watching is time wasteful.
I admit I do a certain amount at the end of a day—I’m almost catatonic anyway.
Like today, a simple little thing(renewing a prescription
from an online pharmacy) for my mother-94, a sometimes (more and more often
now) forgetful mom, turned into a wasted hour, hair-pulling, a few…colorful
words, a phone call where I was put on hold for thirty minutes, a solution, but
too late and a call to the doctor-also put on hold after going through a
complicated phone tree—finally success, but I was left ragged and out-of-sorts.
It didn’t end there either, what with the wind hindering me doing some much
needed yard work, the meal planned for dinner, freezer-burned. (I just bought
it, too, uggg!)
By the way, music helped—Lionel Richie’s Tuskegee and Mumsford and Sons’ Sigh No More right now.
What I read during those commercials can sometimes be as
frustrating, or overwhelming as the day. Like the article by Cynthia Eden titled Editor Expectations After the Sale, in RWR that states that though publishing schedules vary at each
publishing house, the preferred schedule seems to be twice a year or at the
least, every nine months. Yikes, although I get the reasoning. So many books
are being published each year that authors need to have plenty of releases to
build a backlist and keep reader attention.
I know how fast the public’s attention can be lost and
changed, but two books a year reminds me of something my mom use to say about
authors and how she picked the authors she read. She thought if an author
pushed out too many books a year, they just couldn’t be as well done as an
author that put out a book a year consistently. I often found that true, but as
with everything every writer has their own best pace. (An interesting
question-How do you pick your books, by author, title, subject or popularity?
Think about it and think why. This answer surprised me when I asked friends,
family.)
I was going through an old file and found an article in The Writer in 2009 about the pressure
put on writer’s to produce at least one book every year and that many writers
were feeling the pressure, especially when there are authors that have moved
the product of books into a top brand supplying the market by working with a
team of co-authors. The author’s is a manager, developing ideas and plots, then
cowriters fill in the story by writing that into a full-length manuscript. A
production line of sorts and other artists have used this method to make a good
living.
I can see the reasoning and why. Not many authors make
enough to live on writing without some way to supplement what they earn
writing. As a business and earnings strategy it is smart.
I’ll admit, I’m lucky, I don’t need to earn a living
with my writing, if I did maybe I’d be
interested in doing the same strategy. But is that what I want to do with my
writing? Is this what I’ll need to promise in order to get published? Or can I
still do it my way?
Is it even the best way to get really good, fresh books out
to readers? Hey, I’m a reader and I can tell you nothing is harder than waiting
for the next book of my favorite authors (Kaki
Warner or Charles Martin or Kristin Hannah) Is the only way to get
published to go along with this crazy schedule?
I pray not. I write with the prayer it is not. I’m wearing so
many hats, important hats not only to me but to my loved ones and only one is
my writer’s hat. Still, if I’ve learned anything over the years, I’ve
learned—it is what it is, but it will become what you make it.
So, I write, I send things out, I get things back, I edit
and try again.
It reminds me of when I was raising my three boys. I did it
differently than my sister, my sister-in-laws, my neighbors. I was criticized
for one thing or another, but we did what was important to us, according to what
kind of parents we wanted to be. Our way wasn’t the recommended way, the common
way, but my boys survived childhood in one piece, became adults I’m proud of.
I’d settle for something similar with any of my books. I’ll
go my pace and pray it’s enough that I’m writing the best book I can and when/if I get the call I’ll do the best I
can do, for myself and my writing. Shouldn’t that be enough? Isn’t that where
the best art comes from?
By the way: Where have I been? I've been writing.